Wolf Man (1941)

Wolf Man (1941)
by George Waggner

Wolf Man (1941)
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VHS Tape Cover Information

Actor: Bela Lugosi, Claude Rains, Patric Knowles, Ralph Bellamy, Warren William
Director: George Waggner
Edition: VHS Tape
Audio: English (Original Language), Analog
Format: Black & White, HiFi Sound, NTSC, Original recording reissued, Original recording remastered
Running Time: 70 minutes
Release Date: 1992-03-01
Audience Rating: NR (Not Rated)
Publisher: Universal Studios
Studio: Universal Studios

VHS Movie Reviews of Wolf Man (1941)

Movie Review: More Complex Than We Might Think
Summary: 5 Stars

I would like to dedicate this review to my friend Patricia who often enjoyed these horror movies with werewolves. I often like to follow Claude Rains's "Invisible Man" with this movie. Lon Chaney Jr. has just returned to England from America. His older brother has died tragically, and he goes to be with his father Claude Rains. (Somehow we get the impression that Claude Rains is a widower.) We do see that there was some tension between Rains and Chaney, but they seem to make their peace. Lon Chaney Jr then meets Gwen. (Through chance, he gets a story about werewolves out of her.) He finds her attractive, and even though she tries to brush him off, he sees it as a challenge that could be fun: "No!" "Fine. I'll see you at 8." Deciding it wouldn't hurt much, Gwen and her friend Jenny go with Chaney to a fair with gypsies. And anyone who knows the movie knows what happens. Jenny is killed by a wolf, and Chaney gets bitten as he tries to save her. From here Chaney finds himself under investigation for killing a man, when he thinks he just killed a wolf. (Things are obvious to us, the audience what happened.) We know he will eventually turn into a wolf, but there are some interesting transitional moments. For one thing, he starts growing shorter and more angry. One example is when he threatens a group of women. (The werewolf is probably a literary symbol for the sudden loss of control of feelings we try to repress.) Another interesting thing is that Chaney is confronted with what he will become by the Gypsy. This is an interesting element of fear in that he is allowed to be frightened of himself, or what he will become. From here, he turns into the title character and kills a man. We are permitted generous amounts of sympathy in knowing that Chaney is NOT doing this of his own free will. He wants help, but is too frightened to tell anyone the truth. (Another great element of horror.) He grabs even more of our sympathy as he tries to go to Gwen for help, but realizes he may kill her next. Despite his current status as a werewolf, he still has a conscience. GREAT! In one of the most poignant moments of this film, Chaney (knowing a silver cane can kill him) asks his father to keep it with him for protection. From here, there is a memorable climax with a tragic irony. This truly is a masterpiece of horror. If you like Lon Chaney Jr. as Larry Talbot (later the Werewolf), be sure to see him as the Devil in "The Devil's Messenger."

Summary of Wolf Man (1941)

Even a man who is pure in heart,
And says his prayers by night,
May become a wolf when the wolfbane blooms
And the autumn moon is bright.

If you haven't heard this piece of horror-movie doggerel before, you'll never forget it after seeing The Wolf Man for two reasons: it's a spooky piece of rhyme and nearly everybody in the picture recites it at one time or another. Set in a fog-bound studio-built Wales, The Wolf Man tells the doom-laden tale of Lawrence Talbot (Lon Chaney Jr.), who returns to the estate of his wealthy father (Claude Rains). (Yes, Chaney's American, but the movie explains this, awkwardly.) Bitten by a werewolf, Talbot suffers the classic fate of the victims of lycanthropy: at the full moon, he turns into a werewolf, a transformation ingeniously devised by makeup maestro Jack Pierce. Pierce was the man who turned Boris Karloff into the Frankenstein monster, and his werewolf makeup became equally famous, with its canine snout and bushy hairdo--and, of course, seriously sharp dental work. The Wolf Man was a smash hit, giving Universal Pictures a new monster for their already crowded stable, and Chaney found himself following in the footsteps (or paw prints) of his father, who had essayed a monster or two in the silent era. This is a classy horror outing, with strong atmosphere and a thoughtful script by Curt Siodmak--well, except for the stiff romantic bits between Chaney and Evelyn Ankers. It's also got Bela Lugosi (briefly) and Maria Ouspenskaya, the prunelike Russian actress who foretells doom like nobody's business. --Robert Horton

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