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Evening Star by Robert Harling
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VHS Tape Cover InformationActor: Ben Johnson, Bill Paxton, Juliette Lewis, Miranda Richardson, Shirley MacLaine Director: Robert Harling Cinematographer: Don Burgess Writer: Robert Harling Editor: David Moritz Editor: Priscilla Nedd-Friendly Writer: Larry McMurtry Edition: VHS Tape Audio: English (Original Language), Analog Format: Closed-captioned, Color, NTSC Running Time: 129 minutes Release Date: 1997-10-14 Audience Rating: PG-13 (Parental Guidance Suggested) Publisher: Paramount Pictures Studio: Paramount Pictures
VHS Movie Reviews of Evening StarMovie Review: Turgid, Episodic Mess Offers a Boisterous MacLaine But Little Else Summary: 2 StarsBy the time Jack Nicholson shows up for about five minutes of screen time as Garrett Breedlove, this turgid 1996 sequel to 1983's Terms of Endearment has already slogged through two deaths, a psychotherapist with an Oedipal complex, and a lot of scrapbooks. The problems with this shamelessly manipulative movie are many, and they all begin with the inevitable premise that tough Texas matron Aurora Greenway can carry on without being challenged by her feisty daughter Emma. However, without Debra Winger's earthy grit counterbalancing Shirley MacLaine's flamboyant disapproval, the story seems to work in a vacuum. Much of the appeal and resonance of the first film came from how these characters dealt with life's unpredictable course and how James L. Brooks captured their idiosyncrasies with a refreshing level of honesty for a mainstream film.
These nuances are completely missed as Robert Harling takes over for Brooks and takes the episodic approach that seemed to work better in his screenplay for 1989's Steel Magnolias. Based on Larry McMurtry's sequel novel, the story picks up Aurora's story fifteen years after Emma's death as we see true to her daughter's final wishes, that the grandiose older woman has raised Emma's three children. Now adults, oldest son Tommy is in prison for drug dealing, while youngest son Teddy has become standard white trash who wants only to own a tow truck. That leaves granddaughter Melanie who has inherited her mother's independent streak as she struggles through a bad relationship with an aspiring underwear model to become a sitcom actress. Without Emma, Melanie picks up the slack for spats and so do two minor characters from the first film - Emma's best friend Patsy, who has become a wealthy divorcee constantly competing with Aurora, and Aurora's salt-of-the-earth maid Rosie.
The movie becomes a virtual traffic jam of personal problems orbiting around Aurora with the second half an endless series of dramatic climaxes. MacLaine does the best she can under the circumstances, but the rest of the cast is set adrift. Bill Paxton looks particularly lost as the psychotherapist in love with Aurora. Juliette Lewis uses her familiar off-kilter mannerisms as Melanie, while Miranda Richardson is forced to play Patsy on two notes - petulant jealousy and benign resignation. Nicholson's appearance is welcome, but he understandably looks like he wants to leave the minute he arrives to remind Aurora of her enduring appeal. Only Marion Ross and Ben Johnson acquit themselves respectably as Rosie and her husband-to-be Arthur. Except for MacLaine's work, this overlong mess is really unbearable to watch. The 2001 DVD offers no significant extras.
Summary of Evening StarPicking up the story thread left by 1983's Terms of Endearment, this overwrought sequel is made palatable by Shirley MacLaine's charismatic performance, which in turn is nearly equaled by Marion Ross's role as her housekeeper. An unexpected surprise, Ross obviously was never allowed to display her range as Mrs. Cunningham on Happy Days. Returning as the vibrant Aurora Greenway, MacLaine far outshines the thin material involving the tangled and unhappy lives of her three grandchildren. The plot picks up 13 years after the death of Greenway's daughter (played by Debra Winger in the original). One of the kids is in jail; one is living in poverty. Her granddaughter, played with prickly rebelliousness by Juliette Lewis, is heading for all sorts of trouble. The plot, told in disconnected and maudlin episodic segments, often borders on the absurd. The characters screech and weep, one of them dies, then we watch others screech and weep some more. So why bother? Because it is occasionally quite witty, and MacLaine indeed shines as brightly as the evening star to which she is compared. Both movies were based on novels by Larry McMurtry. --Rochelle O'Gorman
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