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Citizen Kane [VHS] by Orson Welles
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VHS Tape Cover InformationActor: Agnes Moorehead, Dorothy Comingore, Joseph Cotten, Orson Welles, Ruth Warrick Director: Orson Welles Producer: Orson Welles Writer: Orson Welles Cinematographer: Gregg Toland Editor: Robert Wise Producer: George Schaefer Writer: Herman J. Mankiewicz Edition: VHS Tape Audio: English (Unknown) Format: Black & White, Closed-captioned, NTSC, Special Edition Running Time: 119 minutes Release Date: 1996-08-13 Audience Rating: PG (Parental Guidance Suggested) Publisher: RKO Radio Pictures Studio: RKO Radio Pictures
VHS Movie Reviews of Citizen Kane [VHS]Movie Review: To me, extremely innovative, but not the greatest movie ever made Summary: 5 StarsFor all my reviews visit my website [...]
I am NOT reviewing the DVD. Just the movie unless otherwise stated.
Please note that the rating above might not accurately reflect my thoughts, you will see a rating sentence at the end of the review.
Excuse me, I was extremely sick while I was watching this movie and I couldn't pay as much attention as I usually could.
So anyways, how do I feel it is innovative? Most people say it is for the shots, which, definably it is. For a B&W film, it's absolutely beautiful. Everything is so craft fully filmed. The moving shots going up and down, just everything is beyond words for the shooting. It's the work on genius on it's shots, it planted the ultimate apple tree seed for the farmers of tomorrow to eat from and plant more seeds. See my symbolism?
And that's another way I think this was extremely innovative, symbolism. This was obviously done before, some of the all time greatest and favorite films before this were King Kong, Frankenstein, Dracula, The Mummy, Werewolf of London, The Cabinet of Dr. Caligari, Dr. Jekyll and Mr. Hyde, Nosferatu, The Phantom of the Opera, Hunchback of Notre Dame (you can see I love horror movies of that time,) but all those wonderful titles of which I have not reviewed on this site all show symoblism in something of fantasy. A giant gorilla, a vampire, a zombie mummy, a werewolf, a shape shifter, a phantom, some of them were real but are outcasts, and thus were not seen very much at the time. Citizen Kane however, delivers the symbolism in a factor of the human perspective. There's also much more of it, in Frankenstein, the whole plot is one point of symbolism, however, this carries out like a book with multiple symbols in addition to that type. I haven't really explained it have I? You would haft to see it for yourself, which I highly recommend.
The scripting is very awesome. The idea of doing something, again, so familiar to us, is pure genius. Making it work so well. They didn't just flat out go flat, like some people these days do. But, they really did put the candy on the apple. They were also aware to make sure the candy stayed on the apple and not become it's own candy but to stay with the apple. Am I still symbolic or am I just a maniac? Oh, I haven't even talked about the greatest of things. It's done between two stories, the story of Charles Foster Kane is told through stories from his friends, and a newsreel. At the same time, we try to find out what his dying words "Rosebud" mean in the time after his death. So, they tell two stories at once. You pick any masterpiece from well, anytime but especially that time, you will probably not find that innovation. And you never really find out what Rosebud means until the end of the movie, and then, it's still done extremely symbolic and discreet.
So, this is extremely innovative. Probably one of the top 10 innovative movies of all time. I'd say, a collection of opinions would say that these movies are the top greatest not in a specific order. Citizen Kane, King Kong (1933), Transformers (1986), Jason and the Argonauts, Casablanca, Cloverfield, Alien, Godzilla (1954) and Frankenstein (1931).
So what is the rating? As an innovative picture and part of history, it by far deserves a 6/5. However, past the innovation, to an naive view, I'd say 4/5. Take it up to 5/5 between the two. I, Da Ca$hman signing off.
Summary of Citizen Kane [VHS]Arguably the greatest of American films, Orson Welles's 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions, and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mother as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconsciousness. As Kane, Welles even ushers in the influence of Bertolt Brecht on film acting. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films from the 20th century. --Tom Keogh
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